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Grease
Directed by: Kimberley Rowley Scenic Design: Rhett Wolford Costume Design: Jen Clark Lighting Design: Matthew Georgeson Music Direction: Kelly Schrecongost Stage Manager: Marcus Harbinger Venue: Cumberland Theatre
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Martin & Margaret and the M.I.N.D.S.W.A.P.
Directed by: Darrell Rushton Scenic Design: Matthew Georgeson Costume Design: Ronald Breitfeller Lighting Design: Carson Luther Sound Design: Matthew Georgeson Stage Manager: Sarah Slack
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Radium Girls
Directed by: Shea-Mikal Green Scenic & Production Design: Matthew Georgeson Costume Design: Brendan McCabe Lighting Design: Matthew Georgeson Sound Design: Ronald Breitfeller Stage Manager: Francis Sharkey III
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Miss Bennett: Christmas at Pemberley
Directed by: Shea-Mikal Green Scenic Design: Matthew Georgeson Costume Design: Cody Gilliam Lighting Design: Matthew Georgeson Sound Design: Matthew Georgeson and Shea-Mikal Green Stage Manager: MacKenzie Guynes
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Thoughts of a Colored Man
Directed by: Keenan Scott III Scenic/Projection Design: Francis Sharkey III Costume Design: Brendon E. McCabe Lighting Design: Matthew Georgeson Sound Design: Matthew Georgeson Stage Manager: Dominique Little
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Where Words Once Were
Directed by: Shea-Mikal Green Scenic/Projection Design: Conrad Maust Costume Design: Ronald Breitfeller Lighting Design: Matthew Georgeson Sound Design: Matthew Georgeson Stake Manager: Mackenzie Guynes
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Pride and Prejudice
Jane Austen’s social commentary was brought to life in a new adaptation by playwright/director Robert Stoddard. The play was staged at Southern Virginia University in a traverse (alley) stage. The staging was consciously chosen to bring the audience into the play as much as possible. Jane Austen’s deliciously subtext came to life when seen up…
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110 in the Shade
A classic musical about unrelenting honesty, love and dreams in a drought-stricken Texas town.
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Roofsliding
Roofsliding is an original script produced by Brigham Young University. It focuses on the lives of three families living in a row house in a Scottish fishing village. Each of the three families are innately lovable, in spite and because of their unique “quirkiness.” The design followed the families fractured grasp on reality. This was…